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25) Republic Day 2020 Parade HIGHLIGHTS: Colourful tableaux, daredevilry, navy might on display

India Republic Day -- India Republic Day 2020 Celebration, Flag Hosting HIGHLIGHTS: Perfect Minister Narendra Modi given his tributes to martyrs by laying a wreath at the National War Funeral obituary in the presence of Refutation Minister Rajnath Singh, 3 service chiefs and Chief of Defence Staff Bipin Rawat. India Republic Day time Parade 2020, Flag Web hosting service HIGHLIGHTS: India is celebrating its 70th Republic Day time Today. The celebration on Rajpath started with Perfect Minister Narendra Modi having to pay homage to the fallen members of the military at the newly-built National Conflict Memorial on the Republic Day time for the first time instead of the Amar Jawan Jyoti beneath the India Gateway arch. This was followed by President Ram Nath Kovind unfurling the tricolour. The situation marks the day when India’s Constitution came into effect, along with the country became a republic. Heavylift helicopter Chinook in addition to attack helicopter Apache, both equally re
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Graffiti

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Graffiti (both singular and plural; the singular graffito is rarely used except in archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire. In modern times, spray paint and marker pens have become commonly used graffiti materials, and there are many different types and styles of graffiti; it is a rapidly developing art form. Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many citie
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Etymology

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"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into it. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν — graphein —meaning "to write".
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History

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The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Use of the word has evolved to include any graphics applied to surfaces in a manner that constitutes vandalism. The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD. Modern-style graffiti The first known example of "modern style" clarification needed graffiti survives in the ancient Greek city of Ephesus (in modern-day Turkey). Local guides say it is an advertisement for prostitution. Located near a mosaic and stone walkway, the graffiti shows a handprint that vaguely resembles a heart, along with a footprint, a number, and a carved imag
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Contemporary graffiti

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Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti, however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges. The oldest known example of modern graffiti are the "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino? . Some graffiti have their own poignancy. In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World: Austin White – Chicago, Ill – 1918 Austin White – Chicago, Ill – 1945 This is the last time I want to write my name here. During World War II and for decades after, the phras
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Characteristics of common graffiti

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Methods and production The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color. Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface. Graffiti making The first graffiti shop in Russia was opened in 1992 in Tver Graffiti application at Eurofestival in Turku, Finland Graffiti application in India using natural pigments (mostly charcoal, p
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Uses

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Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up". Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal. In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR. Many arti
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